11 Things about 2011

It’s the last day of the year. We’ve been inundated with lists lately, so…..here’s a list of 11 highlights of 2011 for me:

  1. Street Scene: I was lucky enough to be a part of the (massive) ensemble that created a highly successful and beloved production of this Elmer Rice script. The cast included children and a dog and a couple dozen actors playing in an intimate (and, frankly, run down) theater. It was a huge show and we worked very hard to bring it together. Because of the the way in which we rehearsed, wherein many people watched other people’s scenes and we were mostly all there most of the time, we developed a great bond as a cast which went a long way to each of us individually, and collectively, owning this piece of theatre. I hope I’m lucky enough in 2012 to have a similar experience. I celebrated that show with several friends at the Ivey Awards where two statues were given out in relation to the production.
  2. The 3-Cent Stamp: I wrote, directed and edited a 1-minute “commercial” for inclusion in a local theatre’s mock production of Fargo. I had a blast putting this together and want to do more of this stuff in 2012.
  3. It’s not about the money: I got paid. Truthfully, it’s no one’s business but mine (and my agent’s) but a couple well paid gigs this year (primarily a single commercial) made 2011 one of the most profitable years for me as an actor. I’ve put it in savings for a rainy day. And while it’s never about money and there’s not a lot of it, especially in theatre, it’s nice to feel compensated for my time and talents.
  4. Testing my skills: I jumped in to a production of a full-length play that didn’t have a full-length rehearsal, and it tested most everything I know about acting, building a character and, in some instances, how to be a nice guy at rehearsals and not get bitchy. Next time I’ll be more prepared.
  5. Flexing my (imaginative) muscle: I once again joined a holiday show where in a single hour I had to play multiple characters, be funny, run my ass off and charm and ad lib a small group of strangers. And then do it all over again for the next group. And…once again for a third group. It was exhausting and exhilarating and fun, and made me enjoy performing.
  6. Inspirations: I was inspired by many things I saw this year on local stages, and one piece of theatre that keeps sticking with me in my head is Moving Company’s Come Hell and High Water. A beautiful, epic (true) story, done in bold imaginative ways and with the utmost attention to the minutiae of the characters’ lives and details. Steve Epp is one of the best actors I’ve ever seen work. This whole thing made me want to be a better, bolder theatre artist. I was also inspired by the depth of work that goes in to the making of a Scream Blue Murmur piece. I was fortunate to spend some time with these great folks whom I admire so much, and learned a bit more about their process. They’re not messing around. We should all be so diligent.
  7. The Silver Screen: I was twenty feet tall. The short film I shot last year was finished and had a sneak preview at the Twin Cities Film Festival. Seeing myself on the big screen was a bit surreal, especially since it focuses primarily on my character and I open and end the thing. It was exciting and makes me want to get to know the film community even better. (On a side note, the other day I discovered that the film is listed on IMDB, so subsequently I’m finally listed there too.)
  8. Disappointments: I wasn’t cast in many things, including one or two that I really wanted. But that’s to be expected. In one case I was sort of relieved to not be cast (even though I was a bit surprised.) I know this is all vague but why go into great details…I’m not naming names. Let’s just say that I was invited to audition for a play I hadn’t heard of but in researching it found it to be incredibly challenging and exciting. Done, for lack of a better word, correctly it could be an amazing and powerful piece of theatre. What I witnessed in the auditions and callbacks, particularly from the director and the choices she was making, was that this was not a stellar opportunity and in fact could be a complete train wreck. I debated for days whether I’d take the role when offered. I decided I wouldn’t because the “good enough” and lackluster approach I witnessed was…well, I guess it was challenging to my own standards and beliefs. (See Creed if you need to know more.) Yes, this probably makes me sound pompous. Of course, they didn’t cast me anyway. I unfortunately wasn’t able to see the show either due to my own work schedule, so I’m not sure how big that wreck may have been. I’m confident I made (or would’ve made) the right choice. It’s disappointing though because I think done right it could’ve made a huge splash on the theatre scene.
  9. 365 Images of 2011: I shot pictures. Lots and lot of pictures. I challenged myself to post a picture for each day (even if not posted every day.) I don’t think I’m going to make the goal, unless I take and choose another 30 or so in the next 5 hours. Nonetheless, I had fun doing it and found new and interesting images around me all the time. I think some even turned out to be good. I’ll probably add them here over the coming months.
  10. Nook: I read. A lot. Although I haven’t written about it I received a Nook for my birthday, and have subsequently doubled the number of books I’ve read. I never thought I’d have the capacity to read more than one book at a time, and keep things clear in my head about each one, but now…it’s only a matter of the mood I’m in when I crawl in to bed at night (that sounds so wrong, but it’s when I do most of my book reading) and I’ll have two or three different books going at a time. Super Sad True Love Story may have been my favorite of the year.
  11. What’s next: I imagined. I still have a small dream in the back of my head to make a film of The William Williams Effect. I know nothing about making a movie, truly, but I know some people who do. I’ve been thinking of taking a stab at putting together a film script version this winter. (Note to self: talk to co-writer.) Recently while driving through the rolling Iowa fields (strangely empty of snow for December) and listening to a Mumford and Sons album I was struck with some images of what the film might incorporate and how it might feel and flow. I think I’ll make it a longer term goal, but plan to find a project or two to write and shoot this coming year, as practice, as learning the craft of filmmaking, in preparation for what might come next with that story.

10 Things about 2010

  1. I completed my full-length play, which lives in limbo waiting for its knight on a white horse of a production.
  2. I work-shopped and staged a challenging script with a committed and fun group of actors. Ari Hoptman is the funniest man I know and almost made me piss my pants in rehearsal. fyi – The script was a drama.

    self-portrait, silhouette on rocks, north shore, fall 2010

  3. I jumped in to the fray of commercial and industrial work (again) and met and worked with awesome people.
  4. I dipped my toe in the pond of Twin Cities independent film, and had some of the most fun acting experiences I’ve had in a long time while shooting a film. I look forward to seeing the results this coming Spring.
  5. I started reading more blogs, finding new ways to write, just for kicks and exercise.
  6. I exercised my creativity while helping design our remodel and construction project, and I now have a comfortable, cozy home. (Side note: in 2011 I need to find that right piece of art to hang over the new fireplace.)
  7. I witnessed a number of spectacular productions, including Unspeakable Things at Sandbox (extremely creative,) The Homecoming at Gremlin (extremely polished acting and directing,) two Minnesota Fringe Festival production: Standing Long Jump (a beautiful new script) and Missing (a beautiful real, one-person show,) and saw some astonishing work in the Tony Award winning August: Osage County.
  8. I took part again in one of the best theatre experiences possible, with Chicago Avenue Project.
  9. I enjoyed my photography hobby, taking over a thousand pictures throughout the year and shared a few here.
  10. I failed to expand my horizons, having only completed 1 of the 5 items I listed on that 2010 Resolutions…or What I’ve told myself back in January. The only thing I accomplished was #2 which didn’t even get me out of the house. Maybe I’ll blame it on having spent so much time, energy and money on making the new house this year. Yeah, that’s it.
Happy New Year!

Picturing the Lost House

I’m trying to figure out a few pictures to hang in the house. We recently did a major remodel and I took a few hundred photos (before, during, after) documenting the whole thing. A couple of them turned out rather interesting, and have already been posted here. Those were:

Retro

Power Exposed
(my personal favorite)

I want to hang a third one—because groupings in odd numbers are more interesting—and I’m not sure which three to pick. Beside the two linked above, I’m also considering the old kitchen floor.

There’s something I really like about this one. Perhaps it’s because I know that if you step on those 1917 sub-floor boards they bow a bit. And what you can’t see in the picture, and perhaps I should manipulate it a bit to expose this, are the walls stripped to the studs.

Neither of the windows exist anymore. The one on the left sits in the middle of the new kitchen. The one on the right….well, I think that’s about where the stove and cabinets live.

I like the Little House on the Prairie element.

The other picture I want to include is of the chimney that was exposed when the original plaster walls were removed.

I love that there’s a hole in the chimney, an access point for what I can only assume was a wood burning stove. This too is in the kitchen, and the floor picture above would’ve been taken by standing basically in front of the chimney shot.

I think it’s interesting that the bricks used are some kind of whitish-gray. I’m not sure what that’s all about.

I found this fascinating, and love knowing that it’s still there, behind the new wall.

Can’t be sure when any of it will ever be seen again.