Another Opening

How is it that one day you say things such as, “There’s plenty of time yet…” and the next thing you know it’s opening night? How does this happen? And why is it that most often when we get to opening I always think, “If we only had one more week….”?

And while I’m asking questions, let me ask this: Why is it that when we move in to the space, doing full-run after full-run, a whole new type of opportunities and options and choices make themselves visible to me and others?

The last few days of rehearsals have been, for me, full of new thoughts, ideas….things I’d like to explore further, avenues I’d like to go down for a while.

bbBut suddenly it’s opening night, and while I’m not afraid to try something new in front of an audience or during a run, it’s doing so at a much greater risk it seems. Even last night as we tried a new idea that had been brought up on the previous evening, it totally threw everyone on stage and in the room. Perhaps it was in a good way, because it was funny and meant to be humorous, unfortunately, most of us broke character.

We’re doing it again tonight, but I suspect adrenaline will be high enough, especially that early in the play, that we’ll keep it together.

Opening is always a little bit exciting, and a little bit scary. This production has had no previews, so we have no real idea how an audience will respond. And while it’s a drama (a rather intense one at that, which includes violence and torture) there are points of broad humor to break the tension.

But does it work? Will an audience take to it? Will they take from it, what we think it’s all about?

I can’t be sure. But, one the other hand, can’t these questions be asked of most any play’s opening night?

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