Quickly following the year-in-review at the end of the December, full of “best of” lists and even a “best of the worst” list (which was one of my favorites) there came a few new lists: Wish lists for a better 2014—things we’d like to see from the Twin Cities theatre scene in the coming year.
I’d thought I’d put together a list of 10 of my own wishes, and for this I’m ignoring the financial and logistical difficulties.
- This town is full of talented performers, writers and musicians. Why not create an original musical? It was done last year by one company, but it could be done on a much larger scale. You know, Latte Da + Playwrights Center?
- Workhaus Collective is such an asset to the community, but I’d love to see more original scripts by others, whether as a whole season or as a single production in a season. (oh, wait. Torch is doing this! And I’m excited!) We can do more
- As for previously produced scripts there are some plays and playwrights I want to see people tackle, like Caryl Churchill (who wants to take on Traps?) and Shepard (I’d kill for a good Buried Child production*) or more Mamet (for fuck’s sake!)
- Open a new performance space, and create a home for the itinerant companies that are ready for it. I know the logistics of numerous companies managing a space together are complex, but I think there are people running these companies that can make it work.
- Someone please fix the Theatre Garage, k?
- Festival programming: one ensemble company of actors, a few thematically or artistically related plays, running in rep for two months. Who says only the G should do something like this?
- More pop-up theaters. Sandbox did it this past fall in City Center. I’d like to see it create a new trend. I see plenty of empty storefronts and buildings.
- A while back someone did a show with mid-to-late-afternoon Sunday matinees, like in the 3 to 5 time slot. I thought it was weird, but realized I loved it because it fit nicely between daytime and evening commitments I had at the time. Someone should bring that back.
- And while we’re talking scheduling how about longer runs? ** I hate finding a show opening only to realize it closes ten days later and I’ve missed it. (I won’t even mention that one theatre’s production schedule which has way too many previews followed by too short a run.)
- Finally……Me. There should be more of me, which frankly I can’t rely solely on others for but can’t do on my own either. I act. I direct. You probably know where to find me. Last year was a good year but I had a few months I would’ve liked to fill.
As far as “wish” lists go, I’m hardly reaching for the stars on many of these. Baby steps, I guess. Let’s do this, 2014!
* I’d direct that in a heart beat
** just like money shouldn’t be a factor in this dream list neither are audiences. I realize longer runs will likely stretch audiences thin for some folks, but short runs don’t have the benefit of buzz time.