I probably shouldn’t compare years. It doesn’t seem fair. Some years are better than others for their own reasons, and one year can have great successes for me while others seem to have been nothing but wasted opportunities.
Odd numbered years seem to be important to me, more than even. This, of course, makes no sense either logically or in fact.
Good years = 1985, 1989, 1992, and 2009. (No, that’s not a 17 year dry stretch.) Bad years = 1985, 1999, 2008. See? No sense. But it’s generally how I feel.
2012 was a fine year.
So before moving on to the (odd) 2013 future, I’m pondering just a few highlights of the art in and around my life for the past year:
- One day out of the blue I was contacted by a local theatre looking for other theatres and/or performers to produce a late night show during the run of their own play. My schedule allowed for it, or so I figured, and I was suddenly producing, adapting and directing a play, to go up in mere weeks. Four classic tales, unrelated and yet thematic, with a talented (and hard working!) ensemble were worked staged and presented. We called it And Things in the Walls and it came together beautifully. It was exhausting.
- In the midst of that chaos, I squeezed in the best theatre experience once can have: Pillsbury House Theatre’s Chicago Avenue Project. Take a group of young, eager, energetic neighborhood kids, help them write their own plays, and bring in directors and actors and produce it for their families, friends and neighbors to see. This is the third time I’ve directed for this program, and it warms the inside of my sometimes jaded heart. We should never lose the playful imagination we used so easily when we were 8 years old. I think those kids teach us more than we teach them.
- It was great to spend time as a real hired actor on multiple occasions and projects this year, but one stood out. Last spring I shot an anti-bullying video where I played a guy getting more than picked on at his work place. The piece was used by a national anti-bullying project, about which CNN did a story that included the video. My Facebook feed lit up and I had a voice message asking if I realized I was on the home page of CNN. (I later learned portions of it were aired as part of their broadcast story too.) It was a powerful video that garnered many, many comments for months from everyone I knew. At first I was just glad to get a gig, shooting a little video for a day. But it’s nice when art (acting) and work (paid gig!) combine to make an impact. It’s on YouTube, but you can see it on their site here.
- I’m always taking pictures.
In 2012 both my cameras were stolen, although thankfully one was returned. And when I upgraded my cell phone to to the latest and greatest, the camera was a serious downgrade. (Thank goodness for Instagram, huh?) Still, I took this picture, one of my favorites, in one of my favorite places.
- As always, I saw a lot of theatre. Some good, some…not so good. The Fringe Festival is always a mixed bag, but this year’s crop gave me two great inspirations. Make that three if you count the stuff I really didn’t like and would never want to emulate. But it’s always great acting that makes me most excited, as I wrote about back in May in what was likely my favorite production I saw in 2012: Compleat Female Stage Beauty.
- And when it comes to pop culture meets drama: I fell in love with Downton Abbey. Well written, impeccably performed, beautiful to look at and compelling story lines. I mean, come on! Maggie Smith alone...”What is a ‘week-end’?“ Indeed.
That’s what’s over my shoulder back there, where I also was able to line up two productions to fill what’s in front me, thus getting me through the winter and well into spring, working with companies and people new to my resume. Not bad, 2012!
So far it’s looking like a lucky ’13.