Community and Friends and Celebration

Arriving at the Ivey Awards, Historic State Theater, Hennepin Ave., Minneapolis

New York has its Tony, Chicago has its Jeff. For many years Minneapolis didn’t have such a thing, but for the past seven years we’ve had the Ivey. Unlike most award programs, the Ivey Awards doesn’t have set categories and there are no nominations, although there are two standard categories of Emerging Artist and Lifetime Achievement. These elements have been a point of criticism since the beginning, but so far it hasn’t kept away the crowds, lessened the excitement or diminished the glory. Of course, with no set categories and no nominations, honorees have no idea they’re going to win, so every statue handed out is a surprise to most of the room.

Two nights ago the Twin Cities theatre professionals, along with numerous fans, gathered at the historic State Theater downtown for this year’s event. It’s colloquially become called “theater prom” by some because in a field where most of the workforce tend to spend rehearsals and pre-show time wearing rather casual (often very casual) clothes, this is an opportunity to dress up big time.

But unlike prom where only certain people are invited, everyone’s welcome to this show, and elbows are rubbed between the newest and most experienced artists, between the smallest shoe-string budget company and the multi-million dollar funded institutions and everywhere in between. The beauty is in the community, coming together for one night to celebrate each other and honor some (though not all) of the standout moments and works of the previous season.

Oh, and then there’s an after party. A HUGE after party, where more elbows are rubbed and ears are bent and deals and promises are made.

I didn’t win anything although I didn’t really think I would. I am, however, awfully proud to have been a part of a show that garnered a lot of attention that night, as two of those little statues went out because of that show, Street Scene. One went to our show’s heroine, Anna Sundberg (who not surprisingly to many was the year’s emerging artist) and one to our show’s director, Craig Johnson, for his direction of the show – an overwhelming task with its 3-acts, 65 characters, 26 actors and a dog on a (relatively) tiny stage. Sitting next to Craig as his name was announced (or rather, the work and the show was announced which prompted a large contingent around him to cheer loud enough he couldn’t actually hear his name) and seeing the stunned look on his face was a real joy. I’ve been fortunate to work on many shows with him, for many years, and I couldn’t have been prouder of my good friend.

Of course, at the after party the cast members in attendance decided we made his direction look good and gave ourselves due credit. But more importantly, we celebrated our friends who won and celebrated our fortunes of working in a community with such widely diverse and strongly talented artists as these Twin Cities have. I’m happy to call it home.

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